犬部！

演员：查理·考克斯,韦斯·本特利,多格雷·斯科特,罗德里戈·桑托罗,詹迪·莫拉,德里克·雅各比,格什菲·法拉哈尼,杰拉丁·卓别林,乌纳克斯·乌加尔德,安娜·托伦特,查尔斯·丹斯,莉莉·科尔,欧嘉·柯瑞兰寇,Alejandro Casaseca,Yaiza Guimaré,卡洛斯·李尔,阿方索·巴萨维,扬·科奈特,迈克尔·菲斯特,Lito Cruz,冈萨洛·拉莫斯,Marcos Montes,Abian Vainstein,Fabián Stratas,Fernando Margenet

简介：影片以一名记者追查宗教人物约瑟玛利亚的生平为引，逐步揭开一段横跨西班牙内战年代的往事。约瑟玛利亚与马奥洛自幼相识，曾是亲密无间的朋友，也一同在神学院求学。然而时代动荡、理想分裂，两人最终走上完全不同的道路：约瑟玛利亚选择坚守信仰，将人生奉献给宗教使命；马奥洛则被现实与战火裹挟，投身冲突前线。多年后，记者在追寻真相的过程中，不仅重新拼接出他们破碎的友情，也触及战争、爱情、背叛与救赎交织的人生命题。影片借个人命运映照大时代创伤，呈现信念与人性之间的艰难抉择。

演员：成海璃子,北乃绮,石黑英雄,荒井萌,山下莉绪,高木古都,贺来贤人,波瑠,古村比吕,堀部圭亮,小木茂光,板尾创路

简介：剑道少女矶山香织自幼接受严格训练，性格认真执拗，在初中全国大赛上却意外败给名不见经传的甲本早苗。这场失利让她难以释怀，也促使她报考早苗所在的东松学院高中，只为有朝一日堂堂正正地赢回一场。 与香织的严谨克制不同，早苗开朗随和、待人真诚，即使成长经历并不圆满，依旧以乐观姿态面对生活。香织将她视作必须超越的对手，早苗却并未沉溺于胜负，反而主动靠近，与她成为朋友。 在朝夕相处与共同训练中，两个性格迥异的女孩不断碰撞，也彼此影响。她们一边面对比赛压力，一边重新理解友情、家庭与自我价值，最终携手走向全国夏季大赛。影片根据誉田哲也同名小说改编，以剑道为线索，描绘了少女在竞争中成长、在对抗中学会理解的青春历程。

演员：松野井雅,霞理沙,樱木凛,原口大辅

简介：就职受挫的黄味岛一边做搬家临时工，一边准备进入正式职场。一次工作中，他偶然结识了美丽的佳那，并在意外与冲动之下与对方发生了一夜情。没想到几天后，黄味岛前往公司参加面试时，竟发现佳那正是面试官。此后他顺利入职，却又在新岗位上成为佳那的下属，让这段原本隐秘又尴尬的关系变得更加复杂。 随着工作展开，黄味岛一面适应社会人的新生活，一面在佳那若即若离的态度中反复揣测对方心意。与此同时，他又与夜场女子紫苑发生纠葛，情感和欲望不断交错，使他的职场处境与私人生活愈发混乱。影片围绕男女之间暧昧、欲望与身份落差展开，以轻喜剧式情节包裹成人情爱关系，呈现主人公在爱情、职场与自我选择之间的摇摆与失衡。

演员：有村架纯,森田刚,矶村勇斗,槙田雄司,中川雅也,木村多江,若叶龙也,石桥静河

简介：阿川佳代是一名年轻的保护司，以志愿者身份长期陪伴有犯罪前科的人重新融入社会。她看似平凡，却始终认真倾听、耐心守护，努力在制度与现实之间为这些“前科者”争取一次重新开始的机会。随着她接触的人越来越多，佳代逐渐看见他们在就业、家庭关系、社会偏见与自我怀疑中的重重困境，也意识到“改过自新”从来不是一句轻飘飘的口号。某起事件发生后，佳代被迫直面更残酷的现实：当善意无法立刻改变命运，人是否还能相信救赎的可能。影片以冷静克制的笔触，描摹边缘人群艰难求生的处境，也呈现出保护与被保护者之间微弱却珍贵的信任。

演员：彭田苗,冯 锐,蒋逸飞,胡曙凡,刘 曦,景若虹,吴 荫,沈培均

简介：《不敢说再见》以大学毕业前夕为背景，讲述一群即将离开校园的年轻人，在人生分岔口上各自奔赴未来的故事。有人准备考研，有人忙着找工作，有人计划出国，看似明确的方向背后，却都藏着现实压力、情感波动与对未知前路的不安。 随着毕业时间临近，朝夕相处四年的同学和朋友不得不面对分别。曾经熟悉的教室、宿舍与校园角落，也在离校倒计时中被赋予了更多不舍与回忆。影片以朴素的视角记录青春尾声，把理想与现实的碰撞、友情与爱情的留恋，以及成长必经的告别，浓缩成一段关于毕业季的集体记忆。

演员：亨瑞克·拉斐尔森,Egil Birkeland,Kim Eidhagen,Solvei Grimen Fosse

简介：三十出头的亨里克即将成为父亲，却迟迟无法进入“成年人”的角色。外表漫不经心、行为玩世不恭的他，总想用玩笑和任性维持青春幻觉，把责任与承诺抛在身后。面对伴侣、家庭和即将到来的新生活，他不断逃避，也因此显得格外不可靠。 然而，亨里克的轻浮与戏谑并不只是幼稚，更像是他掩饰不安与脆弱的外壳。影片以冷幽默和讽刺笔触，描摹一个男人在步入人生新阶段时的失衡与惶惑，也写出普通人在成长面前的无措。荒诞表象之下，是对男性成熟、家庭责任与自我认同的细腻观察。

演员：刘婷

简介：《我本佳人》目前公开可核实到的信息较少。现有片源页显示，这是一部以刘婷真实经历为核心的剧情向影视作品，内容围绕其在完成长期性别转换手术后，以新的身份重新面对社会、家庭与自我认同展开。影片借由个人命运的巨大转折，呈现身份选择、社会目光、情感压力与重建生活的复杂过程，整体主题偏向现实关怀与人物成长。由于未检索到与用户所给“2024年大陆剧情电影”完全一致、且信息更完整的权威词条，部分演职员与上映信息暂无法确认。

演员：Bernd Feuerhelm,Berryt Bohlen,Ernst Kuchling,Volker Eschke,Michael Bolze,Steven Adamczewski,Dietmar Kracht,Norbert Losch,Manfred Salzgeber

简介：It Is Not the Homosexual Who Is Perverse, But the Society in Which He Lives (Nicht der Homosexuelle ist pervers, sondern die Situation, in der er lebt) is the earnest title of Rosa von Praunheim’s 1971 PG-chaste first feature, which has aged like good cheese from a scandalous sensation (a political wakeup call to gays) into a textbook example of classic camp—and a delightful time warp trip through queer cliché. The very colorful color film (shot MOS) opens with von Praunheim’s camera trailing two fags—one blonde, one brunette—walking down a sunny Berlin street. Daniel, the shy brunette, is new to the big city and blonde Clemens is generously offering him a place to stay. (We know this by the heavily German-accented English, dubbed and spoken in a “Sprockets” cadence.) “It’s so hard to find someone who’s sincere,” Clemens’ voice says as they cuddle on his bed back at the apartment. “I really dig you.” Then, from out of nowhere, a grave, German-accented, Moses-like voiceover explains that “faggots long for loving relationships”, but “live in a dream world of glossy magazines and Hollywood movies.” Now naked in bed with Daniel, Clemens proclaims, “I’d like to throw the window open and show the whole world how wonderful it is when two men are in love!” And so it goes. Daniel fusses over his hair in the mirror while Clemens’ heartsick Teutonic voice narrates their newfound domestic bliss. “Every hour and minute I spent alone was torture for me.” Luckily, the lovebirds spend plenty of time doing things like “watching television to further our education” and housecleaning together. They also read or write letters. “Dear Mother,” Daniel’s voice begins. But alas, as Clemens stares into a cabinet chock full of knickknacks, that damn nagging Moses voiceover returns. “Faggots try to imitate middle class marriage,” he hisses, holding forth on the subject of men taught to be in competition with one another, to be self-involved—dooming the faggot relationship. Next thing you know, Daniel’s sad voice sighs, “Four months have passed. I’ve decided to leave Clemens.” Then a jaunty, genial German narrator intones, “Daniel was often cruised by a well-to-do man.” And there’s girlfriend strolling along with the tight-panted “benefactor at his country estate!” As they stop for a glass of champagne beside a statue, Moses abruptly thunders about the myth that the homosexual’s “interest in the arts is a way to make life more bearable,” when in reality “the arts are a tool for the rich and powerful,” for it makes it “much easier to get them into bed.” Cut to a piano and a wild-eyed fag singing about Deutschland! Nearby, the benefactor plays with his ascot, a gaudy silver ring in the shape of an insect on his finger. The camera pulls back and pans around the roomful of old queens respectfully listening to the recital. Moses announces, “Youth and good looks are tremendously important to old fags.” Like Hitchcock’s birds, the elderly Marys are suddenly swarming over poor Daniel—who gets nauseous and runs out the door. Then it’s off to an outdoor café—with a big sign reading “Moby Dick’s.” The genial German narrator informs that Daniel’s found a new job working at a “meeting place for homosexuals” where “conversations about film, fashion and physical culture give him ideas about how to fill his leisure time.” Moses butts in to add that faggots “gather to listen to Nina Simone, Judy Garland and Barbra Streisand” and “gather at Fire Island and San Francisco.” He intones, “Fashion has to be like a second skin that suggests the size of the cock.” A sissy saunters down the street in knee-high moccasins and shorts. Moses also warns, “The young fag must give up his interests for more homosexual interests.” And there’s Daniel sunning himself with his fellow homosexuals! Moses snipes, “He was entranced by his strong body and butch style” as a torso, hairy chest and tight blue jeans, appears in medium close up. The genial German offers, “Daniel could sit for hours and enjoy being cruised.” Then: “Wolfgang had a lot in common with Daniel” as the two mop-haired, mutton-chopped boys rub lotion on one another. But all is not well in fairyland. Moses brings news that Daniel has begun going to gay bars—is becoming addicted! And, yup, there’s Daniel, wandering around a dark and dingy hole. Moses explains, “It’s easy for faggots to find one another because they offer themselves on street corners like whores.” Cut to a queen having a hissy fit in front of the bar as another tries to calm her down, all while Moses holds forth on sad fags, how they don’t know how to use their sexual freedom for happiness, how their “greatest enemy is the conspicuous queen.” Two fairies in short shorts appear in the frame, fawning over two embarrassed fags. Moses laments, “Daniel now has no other interest than being a fag.” Cut to a motorcycle gang, leather boys cruising one another amongst the nighttime trees. They feel up each other’s zippers, chains, and studs—a clothed grope fest as Moses teaches that, other than “trans-westites, [who] long for women’s organs, leather freaks are the fags with the most hang-ups.” In fact, “The leather queers are really nice, polite people who suffer from their own weakness.” And that’s when Daniel, “bored with talking,” fatefully leaves the bar scene for the park where he “slowly made his way through the tense choreography of men.” (So sayeth Moses.) Cut to outside a public restroom (a “well-known meeting place”). Men who cruise restrooms “despise tearoom trade,” the voice of Moses trembles. Hustlers—“usually runaways from broken homes” who are “often not queer”—frequent these spots. (Assorted hustlers and fags mill about as a piece of rough trade stands like a sentinel in front of the door.) A group of queers emerge and pile circus-style into a car. An old fag cruises Daniel but strikes out (duh!) before getting beat up by rough trade. Next up: a drag queen singing in a mixed homo bar—a tattooed leather daddy staring stoically from a table nearby. And there’s Daniel! He’s “drowning himself in alcohol and cigarettes” while other fags try to “forget themselves in a frantic atmosphere”—i.e., a black guy and a white guy doing a chicken dance to “Rock Around The Clock”, which blares from the jukebox. An old yodeling queen appears. Daniel sees his friend Paul, asks if he can go back to his communal pad. And that’s where von Praunheim’s film finally reaches its climax—a psychotherapy session with a group of naked fags! Sitting in a circle, they berate Daniel in their dubbed voices. “You’ve become a real full time faggot!” “You’re becoming neurotic, a whore who doesn’t even get paid!” The Teutonic accents start calling for a gay pride awakening, a consciousness-raising “We’re here, we’re queer!” movement. “Queens and butches have to stop opposing and fight together side by side!” “Come out of the closet! Take to the streets!” “Erotically free! Socially involved!” The commentary continues even as the credits roll over a pink background—even as I can’t stop laughing over the “trans-westites,” leather freaks, and glorious tearoom trade.

演员：库尔特·拉塞尔,派翠西娅·克拉克森,诺亚·艾默里奇,肖恩·麦卡恩,肯尼斯·威尔什,艾迪·卡希尔,帕特里克·奥布莱恩·邓普西,Michael Mantenuto,内森·韦斯特,肯尼思·米切尔,Eric Peter-Kaiser,Bobby Hanson,Joseph Cure,Billy Schneider,Nate Miller

简介：影片根据1980年冬奥会前后的真实事件改编。1979年，美国社会在战争阴影与冷战压力下士气低迷。曾率明尼苏达大学冰球队连创佳绩的教练赫伯·布鲁克斯，临危受命组建新一届美国男子冰球队，目标直指长期统治国际赛场的苏联队。 面对一群来自不同大学、彼此竞争激烈的年轻球员，赫伯以近乎苛刻的方式训练队伍，不只磨炼体能与战术，更要打破地域与门派之见，把他们塑造成真正的团队。热身赛惨败给苏联后，这支不被看好的青年军并未崩溃，反而在挫折中逐渐凝聚信念。 当冬奥会来临，美国队以顽强斗志一路奋战，最终迎来与苏联队的关键对决。这不仅是一场冰球比赛，更成为鼓舞全国人心的经典时刻。影片以扎实克制的笔触，呈现了团队精神、信念与奇迹诞生的全过程。

演员：苗亮纯,桑见措

简介：影片讲述高原边防哨所里三名军人的驻守故事。刚刚毕业的俞立军离开熟悉的城市生活，被安排来到海拔极高、环境艰苦的偏远哨所服役。面对单调严酷的守边日常，他一时难以适应，也不理解父亲为何让自己来到这里“受苦”。在与经验丰富的老兵赵飞相处过程中，两人因观念和性格差异常常发生摩擦，性情淳朴的旺堆则夹在中间，努力维系着哨所的和气。随着巡逻、放哨和照料军马等任务接连展开，俞立军逐渐体会到边防军人的责任与信念，也在风雪与孤独中重新理解奉献、纪律和战友之间的情感。影片以高原哨所为背景，展现了边防生活的艰辛，以及年轻士兵在磨砺中完成成长的过程。

演员：丽塔·海华丝,拉里·帕克斯,马克·普莱特,罗兰·卡尔弗,詹姆斯·格利森

简介：天神宙斯之女、缪斯女神琪拉不满舞台作品对希腊神话的误读，违背天规私自来到人间。她化身凡人接近怀才不遇的艺术家丹尼（部分资料作桑尼），以自己的魅力与才华帮助他重拾灵感，并促成他获得富商资助，筹备开设夜总会。相处过程中，两人逐渐萌生爱意。然而琪拉终究是天界之人，私下凡间注定无法久留。就在夜总会开幕之际，她不得不向丹尼坦白真实身份，并面临返回天庭的命运。临别前，琪拉以一场惊艳众人的歌舞为爱作别，也让丹尼深受触动。最终，真挚感情打动了天神，琪拉得以重返人间，与恋人重逢。影片以神话设定串联爱情、歌舞与奇幻元素，整体风格轻盈浪漫。

演员：于承惠,冯绍峰,张博,杨幂,陈桂玲

简介：战国乱世，出身寒微的桃花与大寒都怀着改变命运的愿望。桃花聪慧勤学、文武兼备，等待着能够出人头地的机会；大寒则在贫苦村落中苦练剑术，却始终郁郁不得志。后来，桃花得知孟尝君为儿子海选儿媳的消息，决定前往一试；而大寒在走投无路之下误入歧途，成为刺客，并接下刺杀赴宴大臣的任务。一次看似偶然的行动，让两人在孟府不期而遇，命运从此紧紧纠缠。身处战火纷飞与权势倾轧之间，他们一边在阴谋与杀机中挣扎求生，一边在相知相助中萌生真情，最终展开了一段夹杂理想、牺牲与生死考验的乱世爱情故事。