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20125.7正片几近成年
Mer eller mindre mann The Almost Man 囧男登大人
2024正片我本佳人
刘婷
19717.1正片同性恋不是变态东西，变态的是他所活着的社会
Nicht der Homosexuelle ist pervers sondern die Situation in der er lebt 非同之罪 It Is Not the Homosexual Who Is Perverse But the Society in Which He Lives
同性恋不是变态东西，变态的是他所活着的社会演员：Bernd Feuerhelm,Berryt Bohlen,Ernst Kuchling,Volker Eschke,Michael Bolze,Steven Adamczewski,Dietmar Kracht,Norbert Losch,Manfred Salzgeber
简介：It Is Not the Homosexual Who Is Perverse, But the Society in Which He Lives (Nicht der Homosexuelle ist pervers, sondern die Situation, in der er lebt) is the earnest title of Rosa von Praunheim’s 1971 PG-chaste first feature, which has aged like good cheese from a scandalous sensation (a political wakeup call to gays) into a textbook example of classic camp—and a delightful time warp trip through queer cliché. The very colorful color film (shot MOS) opens with von Praunheim’s camera trailing two fags—one blonde, one brunette—walking down a sunny Berlin street. Daniel, the shy brunette, is new to the big city and blonde Clemens is generously offering him a place to stay. (We know this by the heavily German-accented English, dubbed and spoken in a “Sprockets” cadence.) “It’s so hard to find someone who’s sincere,” Clemens’ voice says as they cuddle on his bed back at the apartment. “I really dig you.” Then, from out of nowhere, a grave, German-accented, Moses-like voiceover explains that “faggots long for loving relationships”, but “live in a dream world of glossy magazines and Hollywood movies.” Now naked in bed with Daniel, Clemens proclaims, “I’d like to throw the window open and show the whole world how wonderful it is when two men are in love!” And so it goes. Daniel fusses over his hair in the mirror while Clemens’ heartsick Teutonic voice narrates their newfound domestic bliss. “Every hour and minute I spent alone was torture for me.” Luckily, the lovebirds spend plenty of time doing things like “watching television to further our education” and housecleaning together. They also read or write letters. “Dear Mother,” Daniel’s voice begins. But alas, as Clemens stares into a cabinet chock full of knickknacks, that damn nagging Moses voiceover returns. “Faggots try to imitate middle class marriage,” he hisses, holding forth on the subject of men taught to be in competition with one another, to be self-involved—dooming the faggot relationship. Next thing you know, Daniel’s sad voice sighs, “Four months have passed. I’ve decided to leave Clemens.” Then a jaunty, genial German narrator intones, “Daniel was often cruised by a well-to-do man.” And there’s girlfriend strolling along with the tight-panted “benefactor at his country estate!” As they stop for a glass of champagne beside a statue, Moses abruptly thunders about the myth that the homosexual’s “interest in the arts is a way to make life more bearable,” when in reality “the arts are a tool for the rich and powerful,” for it makes it “much easier to get them into bed.” Cut to a piano and a wild-eyed fag singing about Deutschland! Nearby, the benefactor plays with his ascot, a gaudy silver ring in the shape of an insect on his finger. The camera pulls back and pans around the roomful of old queens respectfully listening to the recital. Moses announces, “Youth and good looks are tremendously important to old fags.” Like Hitchcock’s birds, the elderly Marys are suddenly swarming over poor Daniel—who gets nauseous and runs out the door. Then it’s off to an outdoor café—with a big sign reading “Moby Dick’s.” The genial German narrator informs that Daniel’s found a new job working at a “meeting place for homosexuals” where “conversations about film, fashion and physical culture give him ideas about how to fill his leisure time.” Moses butts in to add that faggots “gather to listen to Nina Simone, Judy Garland and Barbra Streisand” and “gather at Fire Island and San Francisco.” He intones, “Fashion has to be like a second skin that suggests the size of the cock.” A sissy saunters down the street in knee-high moccasins and shorts. Moses also warns, “The young fag must give up his interests for more homosexual interests.” And there’s Daniel sunning himself with his fellow homosexuals! Moses snipes, “He was entranced by his strong body and butch style” as a torso, hairy chest and tight blue jeans, appears in medium close up. The genial German offers, “Daniel could sit for hours and enjoy being cruised.” Then: “Wolfgang had a lot in common with Daniel” as the two mop-haired, mutton-chopped boys rub lotion on one another. But all is not well in fairyland. Moses brings news that Daniel has begun going to gay bars—is becoming addicted! And, yup, there’s Daniel, wandering around a dark and dingy hole. Moses explains, “It’s easy for faggots to find one another because they offer themselves on street corners like whores.” Cut to a queen having a hissy fit in front of the bar as another tries to calm her down, all while Moses holds forth on sad fags, how they don’t know how to use their sexual freedom for happiness, how their “greatest enemy is the conspicuous queen.” Two fairies in short shorts appear in the frame, fawning over two embarrassed fags. Moses laments, “Daniel now has no other interest than being a fag.” Cut to a motorcycle gang, leather boys cruising one another amongst the nighttime trees. They feel up each other’s zippers, chains, and studs—a clothed grope fest as Moses teaches that, other than “trans-westites, [who] long for women’s organs, leather freaks are the fags with the most hang-ups.” In fact, “The leather queers are really nice, polite people who suffer from their own weakness.” And that’s when Daniel, “bored with talking,” fatefully leaves the bar scene for the park where he “slowly made his way through the tense choreography of men.” (So sayeth Moses.) Cut to outside a public restroom (a “well-known meeting place”). Men who cruise restrooms “despise tearoom trade,” the voice of Moses trembles. Hustlers—“usually runaways from broken homes” who are “often not queer”—frequent these spots. (Assorted hustlers and fags mill about as a piece of rough trade stands like a sentinel in front of the door.) A group of queers emerge and pile circus-style into a car. An old fag cruises Daniel but strikes out (duh!) before getting beat up by rough trade. Next up: a drag queen singing in a mixed homo bar—a tattooed leather daddy staring stoically from a table nearby. And there’s Daniel! He’s “drowning himself in alcohol and cigarettes” while other fags try to “forget themselves in a frantic atmosphere”—i.e., a black guy and a white guy doing a chicken dance to “Rock Around The Clock”, which blares from the jukebox. An old yodeling queen appears. Daniel sees his friend Paul, asks if he can go back to his communal pad. And that’s where von Praunheim’s film finally reaches its climax—a psychotherapy session with a group of naked fags! Sitting in a circle, they berate Daniel in their dubbed voices. “You’ve become a real full time faggot!” “You’re becoming neurotic, a whore who doesn’t even get paid!” The Teutonic accents start calling for a gay pride awakening, a consciousness-raising “We’re here, we’re queer!” movement. “Queens and butches have to stop opposing and fight together side by side!” “Come out of the closet! Take to the streets!” “Erotically free! Socially involved!” The commentary continues even as the credits roll over a pink background—even as I can’t stop laughing over the “trans-westites,” leather freaks, and glorious tearoom trade.
豆瓣评分7.1
20047.7正片冰上奇迹
Miracle 挑战奇迹
冰上奇迹演员：库尔特·拉塞尔,派翠西娅·克拉克森,诺亚·艾默里奇,肖恩·麦卡恩,肯尼斯·威尔什,艾迪·卡希尔,帕特里克·奥布莱恩·邓普西,Michael Mantenuto,内森·韦斯特,肯尼思·米切尔,Eric Peter-Kaiser,Bobby Hanson,Joseph Cure,Billy Schneider,Nate Miller
简介：影片根据1980年冬奥会前后的真实事件改编。1979年，美国社会在战争阴影与冷战压力下士气低迷。曾率明尼苏达大学冰球队连创佳绩的教练赫伯·布鲁克斯，临危受命组建新一届美国男子冰球队，目标直指长期统治国际赛场的苏联队。 面对一群来自不同大学、彼此竞争激烈的年轻球员，赫伯以近乎苛刻的方式训练队伍，不只磨炼体能与战术，更要打破地域与门派之见，把他们塑造成真正的团队。热身赛惨败给苏联后，这支不被看好的青年军并未崩溃，反而在挫折中逐渐凝聚信念。 当冬奥会来临，美国队以顽强斗志一路奋战，最终迎来与苏联队的关键对决。这不仅是一场冰球比赛，更成为鼓舞全国人心的经典时刻。影片以扎实克制的笔触，呈现了团队精神、信念与奇迹诞生的全过程。
豆瓣评分7.7
2006正片天际
苗亮纯 桑见措
19476.7正片天神下凡
丽塔·海华丝 拉里·帕克斯 马克·普莱特 罗兰·卡尔弗 詹姆斯·格利森
天神下凡演员：丽塔·海华丝,拉里·帕克斯,马克·普莱特,罗兰·卡尔弗,詹姆斯·格利森
简介：天神宙斯之女、缪斯女神琪拉不满舞台作品对希腊神话的误读，违背天规私自来到人间。她化身凡人接近怀才不遇的艺术家丹尼（部分资料作桑尼），以自己的魅力与才华帮助他重拾灵感，并促成他获得富商资助，筹备开设夜总会。相处过程中，两人逐渐萌生爱意。然而琪拉终究是天界之人，私下凡间注定无法久留。就在夜总会开幕之际，她不得不向丹尼坦白真实身份，并面临返回天庭的命运。临别前，琪拉以一场惊艳众人的歌舞为爱作别，也让丹尼深受触动。最终，真挚感情打动了天神，琪拉得以重返人间，与恋人重逢。影片以神话设定串联爱情、歌舞与奇幻元素，整体风格轻盈浪漫。
豆瓣评分6.7
2014正片DH桃花开
于承惠 冯绍峰 张博 杨幂 陈桂玲
20087.3正片35杯朗姆酒
35 rhums 巴黎日和 35瓶朗姆酒 35 Shots of Rum
35杯朗姆酒演员：阿莱克斯·德斯卡,玛缇·迪欧普,Nicole Dogué,格莱戈尔·科林,Julieth Mars Toussaint,Adèle Ado,让-克里斯托夫·弗里,英格丽·卡文,Mario Canonge,Stéphane Pocrain,Mary Pie,艾瑞克·艾伯纳尼,Malaïka Marie-Jeanne,Jean-Luc Joseph,Giscard Bouchotte
简介：在巴黎郊区，火车司机莱昂内尔与女儿约瑟芬多年相依为命，父女感情深厚，生活安静而有节奏。邻居兼好友加布里埃尔始终默默关心着约瑟芬，而出租车司机诺埃也与这对父女保持着若即若离的联系。一次同事退休，让莱昂内尔开始意识到人生终有变动，女儿也到了该拥有自己生活的时候。随着几人关系微妙流动，爱意、孤独、依赖与不舍在城市夜色中缓缓浮现。影片以克制细腻的笔触描摹日常情感，在看似平凡的相处里，道出亲情中的牵挂与放手，也呈现成年人面对陪伴、分离与成长时复杂而温柔的心绪。
豆瓣评分7.3
20117.1正片17小时
23-F: la película 223军变 17 Hours El 23-F
20215.3正片姐妹
麦迪·齐格勒 凯特·哈德森 玛丽·凯·普莱斯 小莱斯利·奥多姆 泰格·诺塔洛 本·施瓦茨 朱丽叶特·刘易斯 布兰登·司徒 帕维什·齐纳 埃克托尔·埃利松多 克里斯·西尔科克 安吉丽娜·卡波佐利 Lily Rose Silver 茱莉亚·桑福德
姐妹演员：麦迪·齐格勒,凯特·哈德森,玛丽·凯·普莱斯,小莱斯利·奥多姆,泰格·诺塔洛,本·施瓦茨,朱丽叶特·刘易斯,布兰登·司徒,帕维什·齐纳,埃克托尔·埃利松多,克里斯·西尔科克,安吉丽娜·卡波佐利,Lily Rose Silver,茱莉亚·桑福德
简介：祖母去世后，沉迷毒品交易、刚开始戒瘾生活的祖伊突然成为同父异母妹妹“Music”的监护人。Music是一名患有自闭症、几乎无法用语言交流的少女，长期由祖母照顾。面对突如其来的责任，生活一团乱麻的祖伊起初手足无措，却在邻居伊博的帮助下，逐渐学着理解妹妹的世界，也重新审视自己的人生。随着朝夕相处，两姐妹在冲突、误解与陪伴中建立起新的情感连接。影片以现实叙事交织绚丽歌舞幻想场面，呈现边缘人生中的创伤、亲情与自我救赎。
豆瓣评分5.3
20206.3正片水上飞行
水上のフライト
水上飞行演员：中条彩未,杉野遥亮,富手麻妙,高月彩良,高村佳伟人,平泽宏宏路,大塚宁宁,小泽征悦
简介：遥原本是前途光明的田径少女，一心想靠实力站上世界舞台。突如其来的车祸却让她下半身瘫痪，曾经笃定的人生方向被瞬间打碎。失去奔跑能力后，遥陷入封闭与自我否定，连与外界相处也变得困难。就在她几乎放弃未来时，身边亲友的陪伴与鼓励，让她慢慢重新面对生活。一次新的机缘，使她接触到残奥会皮划艇项目。面对陌生的训练、身体的限制和心理的阴影，遥不得不从头开始，学会接受受伤后的自己，也重新理解梦想的意义。在坚持与陪伴中，她逐步走出低谷，把失去赛道后的痛苦，化为再次出发的勇气，朝着新的竞技舞台奋力前行。
豆瓣评分6.3
20136.2HD中字救生员
The Lifeguard
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