市场法律

演员：Bernd Feuerhelm,Berryt Bohlen,Ernst Kuchling,Volker Eschke,Michael Bolze,Steven Adamczewski,Dietmar Kracht,Norbert Losch,Manfred Salzgeber

简介：It Is Not the Homosexual Who Is Perverse, But the Society in Which He Lives (Nicht der Homosexuelle ist pervers, sondern die Situation, in der er lebt) is the earnest title of Rosa von Praunheim’s 1971 PG-chaste first feature, which has aged like good cheese from a scandalous sensation (a political wakeup call to gays) into a textbook example of classic camp—and a delightful time warp trip through queer cliché. The very colorful color film (shot MOS) opens with von Praunheim’s camera trailing two fags—one blonde, one brunette—walking down a sunny Berlin street. Daniel, the shy brunette, is new to the big city and blonde Clemens is generously offering him a place to stay. (We know this by the heavily German-accented English, dubbed and spoken in a “Sprockets” cadence.) “It’s so hard to find someone who’s sincere,” Clemens’ voice says as they cuddle on his bed back at the apartment. “I really dig you.” Then, from out of nowhere, a grave, German-accented, Moses-like voiceover explains that “faggots long for loving relationships”, but “live in a dream world of glossy magazines and Hollywood movies.” Now naked in bed with Daniel, Clemens proclaims, “I’d like to throw the window open and show the whole world how wonderful it is when two men are in love!” And so it goes. Daniel fusses over his hair in the mirror while Clemens’ heartsick Teutonic voice narrates their newfound domestic bliss. “Every hour and minute I spent alone was torture for me.” Luckily, the lovebirds spend plenty of time doing things like “watching television to further our education” and housecleaning together. They also read or write letters. “Dear Mother,” Daniel’s voice begins. But alas, as Clemens stares into a cabinet chock full of knickknacks, that damn nagging Moses voiceover returns. “Faggots try to imitate middle class marriage,” he hisses, holding forth on the subject of men taught to be in competition with one another, to be self-involved—dooming the faggot relationship. Next thing you know, Daniel’s sad voice sighs, “Four months have passed. I’ve decided to leave Clemens.” Then a jaunty, genial German narrator intones, “Daniel was often cruised by a well-to-do man.” And there’s girlfriend strolling along with the tight-panted “benefactor at his country estate!” As they stop for a glass of champagne beside a statue, Moses abruptly thunders about the myth that the homosexual’s “interest in the arts is a way to make life more bearable,” when in reality “the arts are a tool for the rich and powerful,” for it makes it “much easier to get them into bed.” Cut to a piano and a wild-eyed fag singing about Deutschland! Nearby, the benefactor plays with his ascot, a gaudy silver ring in the shape of an insect on his finger. The camera pulls back and pans around the roomful of old queens respectfully listening to the recital. Moses announces, “Youth and good looks are tremendously important to old fags.” Like Hitchcock’s birds, the elderly Marys are suddenly swarming over poor Daniel—who gets nauseous and runs out the door. Then it’s off to an outdoor café—with a big sign reading “Moby Dick’s.” The genial German narrator informs that Daniel’s found a new job working at a “meeting place for homosexuals” where “conversations about film, fashion and physical culture give him ideas about how to fill his leisure time.” Moses butts in to add that faggots “gather to listen to Nina Simone, Judy Garland and Barbra Streisand” and “gather at Fire Island and San Francisco.” He intones, “Fashion has to be like a second skin that suggests the size of the cock.” A sissy saunters down the street in knee-high moccasins and shorts. Moses also warns, “The young fag must give up his interests for more homosexual interests.” And there’s Daniel sunning himself with his fellow homosexuals! Moses snipes, “He was entranced by his strong body and butch style” as a torso, hairy chest and tight blue jeans, appears in medium close up. The genial German offers, “Daniel could sit for hours and enjoy being cruised.” Then: “Wolfgang had a lot in common with Daniel” as the two mop-haired, mutton-chopped boys rub lotion on one another. But all is not well in fairyland. Moses brings news that Daniel has begun going to gay bars—is becoming addicted! And, yup, there’s Daniel, wandering around a dark and dingy hole. Moses explains, “It’s easy for faggots to find one another because they offer themselves on street corners like whores.” Cut to a queen having a hissy fit in front of the bar as another tries to calm her down, all while Moses holds forth on sad fags, how they don’t know how to use their sexual freedom for happiness, how their “greatest enemy is the conspicuous queen.” Two fairies in short shorts appear in the frame, fawning over two embarrassed fags. Moses laments, “Daniel now has no other interest than being a fag.” Cut to a motorcycle gang, leather boys cruising one another amongst the nighttime trees. They feel up each other’s zippers, chains, and studs—a clothed grope fest as Moses teaches that, other than “trans-westites, [who] long for women’s organs, leather freaks are the fags with the most hang-ups.” In fact, “The leather queers are really nice, polite people who suffer from their own weakness.” And that’s when Daniel, “bored with talking,” fatefully leaves the bar scene for the park where he “slowly made his way through the tense choreography of men.” (So sayeth Moses.) Cut to outside a public restroom (a “well-known meeting place”). Men who cruise restrooms “despise tearoom trade,” the voice of Moses trembles. Hustlers—“usually runaways from broken homes” who are “often not queer”—frequent these spots. (Assorted hustlers and fags mill about as a piece of rough trade stands like a sentinel in front of the door.) A group of queers emerge and pile circus-style into a car. An old fag cruises Daniel but strikes out (duh!) before getting beat up by rough trade. Next up: a drag queen singing in a mixed homo bar—a tattooed leather daddy staring stoically from a table nearby. And there’s Daniel! He’s “drowning himself in alcohol and cigarettes” while other fags try to “forget themselves in a frantic atmosphere”—i.e., a black guy and a white guy doing a chicken dance to “Rock Around The Clock”, which blares from the jukebox. An old yodeling queen appears. Daniel sees his friend Paul, asks if he can go back to his communal pad. And that’s where von Praunheim’s film finally reaches its climax—a psychotherapy session with a group of naked fags! Sitting in a circle, they berate Daniel in their dubbed voices. “You’ve become a real full time faggot!” “You’re becoming neurotic, a whore who doesn’t even get paid!” The Teutonic accents start calling for a gay pride awakening, a consciousness-raising “We’re here, we’re queer!” movement. “Queens and butches have to stop opposing and fight together side by side!” “Come out of the closet! Take to the streets!” “Erotically free! Socially involved!” The commentary continues even as the credits roll over a pink background—even as I can’t stop laughing over the “trans-westites,” leather freaks, and glorious tearoom trade.

演员：库尔特·拉塞尔,派翠西娅·克拉克森,诺亚·艾默里奇,肖恩·麦卡恩,肯尼斯·威尔什,艾迪·卡希尔,帕特里克·奥布莱恩·邓普西,Michael Mantenuto,内森·韦斯特,肯尼思·米切尔,Eric Peter-Kaiser,Bobby Hanson,Joseph Cure,Billy Schneider,Nate Miller

简介：影片根据1980年冬奥会前后的真实事件改编。1979年，美国社会在战争阴影与冷战压力下士气低迷。曾率明尼苏达大学冰球队连创佳绩的教练赫伯·布鲁克斯，临危受命组建新一届美国男子冰球队，目标直指长期统治国际赛场的苏联队。 面对一群来自不同大学、彼此竞争激烈的年轻球员，赫伯以近乎苛刻的方式训练队伍，不只磨炼体能与战术，更要打破地域与门派之见，把他们塑造成真正的团队。热身赛惨败给苏联后，这支不被看好的青年军并未崩溃，反而在挫折中逐渐凝聚信念。 当冬奥会来临，美国队以顽强斗志一路奋战，最终迎来与苏联队的关键对决。这不仅是一场冰球比赛，更成为鼓舞全国人心的经典时刻。影片以扎实克制的笔触，呈现了团队精神、信念与奇迹诞生的全过程。

演员：苗亮纯,桑见措

简介：影片讲述高原边防哨所里三名军人的驻守故事。刚刚毕业的俞立军离开熟悉的城市生活，被安排来到海拔极高、环境艰苦的偏远哨所服役。面对单调严酷的守边日常，他一时难以适应，也不理解父亲为何让自己来到这里“受苦”。在与经验丰富的老兵赵飞相处过程中，两人因观念和性格差异常常发生摩擦，性情淳朴的旺堆则夹在中间，努力维系着哨所的和气。随着巡逻、放哨和照料军马等任务接连展开，俞立军逐渐体会到边防军人的责任与信念，也在风雪与孤独中重新理解奉献、纪律和战友之间的情感。影片以高原哨所为背景，展现了边防生活的艰辛，以及年轻士兵在磨砺中完成成长的过程。

演员：丽塔·海华丝,拉里·帕克斯,马克·普莱特,罗兰·卡尔弗,詹姆斯·格利森

简介：天神宙斯之女、缪斯女神琪拉不满舞台作品对希腊神话的误读，违背天规私自来到人间。她化身凡人接近怀才不遇的艺术家丹尼（部分资料作桑尼），以自己的魅力与才华帮助他重拾灵感，并促成他获得富商资助，筹备开设夜总会。相处过程中，两人逐渐萌生爱意。然而琪拉终究是天界之人，私下凡间注定无法久留。就在夜总会开幕之际，她不得不向丹尼坦白真实身份，并面临返回天庭的命运。临别前，琪拉以一场惊艳众人的歌舞为爱作别，也让丹尼深受触动。最终，真挚感情打动了天神，琪拉得以重返人间，与恋人重逢。影片以神话设定串联爱情、歌舞与奇幻元素，整体风格轻盈浪漫。

演员：于承惠,冯绍峰,张博,杨幂,陈桂玲

简介：战国乱世，出身寒微的桃花与大寒都怀着改变命运的愿望。桃花聪慧勤学、文武兼备，等待着能够出人头地的机会；大寒则在贫苦村落中苦练剑术，却始终郁郁不得志。后来，桃花得知孟尝君为儿子海选儿媳的消息，决定前往一试；而大寒在走投无路之下误入歧途，成为刺客，并接下刺杀赴宴大臣的任务。一次看似偶然的行动，让两人在孟府不期而遇，命运从此紧紧纠缠。身处战火纷飞与权势倾轧之间，他们一边在阴谋与杀机中挣扎求生，一边在相知相助中萌生真情，最终展开了一段夹杂理想、牺牲与生死考验的乱世爱情故事。

演员：阿莱克斯·德斯卡,玛缇·迪欧普,Nicole Dogué,格莱戈尔·科林,Julieth Mars Toussaint,Adèle Ado,让-克里斯托夫·弗里,英格丽·卡文,Mario Canonge,Stéphane Pocrain,Mary Pie,艾瑞克·艾伯纳尼,Malaïka Marie-Jeanne,Jean-Luc Joseph,Giscard Bouchotte

简介：在巴黎郊区，火车司机莱昂内尔与女儿约瑟芬多年相依为命，父女感情深厚，生活安静而有节奏。邻居兼好友加布里埃尔始终默默关心着约瑟芬，而出租车司机诺埃也与这对父女保持着若即若离的联系。一次同事退休，让莱昂内尔开始意识到人生终有变动，女儿也到了该拥有自己生活的时候。随着几人关系微妙流动，爱意、孤独、依赖与不舍在城市夜色中缓缓浮现。影片以克制细腻的笔触描摹日常情感，在看似平凡的相处里，道出亲情中的牵挂与放手，也呈现成年人面对陪伴、分离与成长时复杂而温柔的心绪。

演员：郑佩佩,何莉莉,岳华,丁红,井淼

简介：唐僧师徒西行途中来到烈焰逼人的火焰山，若想继续前行，唯有借来铁扇公主的芭蕉扇灭火。可孙悟空当年降伏红孩儿，早已与牛魔王夫妇结下旧怨，铁扇公主因此拒不借扇。悟空只得几番周旋，与牛魔王斗智斗法，上演一连串惊险又诙谐的“三借芭蕉扇”。好不容易闯过火焰山后，师徒四人又遭遇白骨精姐妹阻拦。为夺唐僧肉，妖精变化多端、设下重重诡计，使取经之路再起波澜。影片将神话斗法、冒险闯关与早期香港古装奇幻风格融于一体，呈现出热闹鲜明的西游故事。

演员：乔尔·埃哲顿,切瓦特·埃加福,琳达·巴塞特

简介：查理原本一心想离开沉闷的小镇，和未婚妻开始新生活，却因父亲突然离世，被迫接手家族鞋厂。他很快发现，工厂外表平稳，实际早已债台高筑，订单流失、员工被裁，前路岌岌可危。一次偶然的相遇，让查理认识了光彩夺目的变装舞者劳拉，也意外发现了一片被忽视的市场——为特殊需求人群定制高跟长靴。两个背景迥异的人从互不理解到并肩合作，在偏见、压力与自我怀疑中寻找出路，不仅为鞋厂争取生机，也重新定义了勇气、尊重与做自己的意义。

演员：劳米·拉佩斯,阿卡塞尔·亨涅,阿特勒·安东森,克里斯蒂安·鲁贝克,安德烈·埃里克森,尼尔斯·奥勒·奥特布罗,斯蒂格·弗洛德·亨里克森,托尔·埃里克·冈斯特伦,塞罗姆·埃内图,加尔万·麦希迪,伊芙·卡塞思·罗斯腾,哈拉德·达尔,阿斯克·索斯达尔,杰普·贝克·劳尔森,克里斯托弗·乔格森,乔纳斯·霍夫·奥夫特布洛,弗雷德里克·斯卡万,斯特拉·迪雷格罗夫,艾洛·高普,比约纳尔·布鲁恩

简介：一对貌合神离的夫妻为了“修复关系”，来到偏远山间小屋共度周末。表面上他们试图挽回婚姻，实际上两人都暗中盘算着如何先下手为强，彻底除掉对方。然而，就在彼此试探、杀机渐起之际，几名突如其来的不速之客闯入小屋，使原本危险的夫妻博弈瞬间演变成更混乱、更血腥的生存危机。随着局势不断失控，这对各怀鬼胎的伴侣不得不在互相算计与联手求生之间做出选择。影片以黑色幽默包裹暴力与悬念，在密闭空间中接连抛出反转。

演员：张国荣,周秀兰,露云娜,苏杏璇,陈佩茜,卢业瑂,卢宛茵

简介：1982年的香港，中四班的婷婷、肥班、大丧和露露被同学们称作“四人帮”。她们性格各异，生活里既有嬉笑打闹，也有各自的烦恼与幻想。婷婷在课余参加《罗密欧与朱丽叶》演出时，结识了扮演罗密欧的男生，并在相处中坠入爱河；家境清贫的露露为了追求更好的物质生活，曾到色情场所陪酒，后来又爱上从美国回来的年轻教师。影片以轻松歌舞包裹青春成长的酸甜，写出少女们在爱情、现实与自我认同之间的摇摆与选择。

演员：诺曼·瑞杜斯,杰曼·翰苏,何家蓓,大卫·尼克

简介：在一场毁灭性的末日灾难后，地表空气已无法维持生命，地球只剩下少数幸存者。为了延续人类文明，精英们启动“方舟计划”，进入地下庇护所冬眠，等待世界重启。两名工程师负责庇护所的日常维护与安全检测，确保冬眠系统持续运转。然而，随着设施接连出现异常，氧气、能源与封闭空间里的秩序都开始失控。看似机械故障的背后，似乎隐藏着更危险的秘密。面对逐步逼近的生存危机，他们必须在真相与本能之间做出选择，争分夺秒守住最后的希望。

演员：许晴,佟大为,李子雄,肖聪,吴孟达,王姬,洪剑涛

简介：女演员夏珊在山路车祸后陷入昏迷，意识却被带回百年前的动荡岁月。在那里，她仿佛与青年革命者林觉民相遇，也逐渐看见他与陈意映从相知、相恋到结为夫妻的过程。乱世之中，爱情与信仰彼此拉扯，个人命运被时代洪流裹挟，离别与牺牲接踵而至。随着记忆不断清晰，夏珊似乎在穿越时空的回望里，读懂了那封饱含深情的《与妻书》背后所承载的家国之痛与生死绝恋。影片根据龚应恬同名话剧改编。